Interview with Dan Davis
1. You’ve illustrated for iconic franchises like *The Simpsons* and *Harry Potter.* How did you approach such well-established characters while adding your own artistic touch?
Both properties were pretty strict with their “look.” *Simpsons* had line art already established, but *H.P.* had to be turned into line art from photos, so a bit trickier.
2. Working on *The Simpsons* at Bongo Comics must have been a unique experience. What was it like collaborating with a team that contributed to such a long-running cultural phenomenon?
Fortunately, they had a guide that was a “how to draw the characters” bible. Being one of my favorite series, it was fun. I worked from scripts they sent and imagined it from there.
3. You were nominated for an Eisner Award for your work on *The Death of Comic Book Guy.* How did it feel to receive such recognition, and what challenges did you face working on that project?
It was a nice nod to get and a fun character to draw. Pretty much like my other *Simpsons* work.
4. You’ve worked on a variety of genres, from superhero comics to children’s books and newspaper strips like *Garfield.* How do you adapt your artistic style to fit such different tones and audiences?
Starting as an inker, I was trained to work in a lot of different styles laid out by different pencilers. When I pencil, there’s usually a style guide to follow (as in *Garfield*).
5. Your independent project, *All Luck Comics,* pays homage to the Golden Age of comics. What inspired you to create this series, and how does it reflect your love for classic comic books?
Always had a lot of time to dream up things while working on other projects. I finally took the time to create my own, taking the best bits of projects and coming up with stories and genres I enjoyed most.
6. As a versatile illustrator, you’ve worked both traditionally and digitally. How has the transition to digital tools changed your creative process, and do you still incorporate any traditional techniques?
I do it all digital, and the precision one can get on screen with unlimited “do-overs” has made my work much better.
7. Your work has spanned from *Batman* and *Samurai Jack* to *Scooby-Doo* and *Harry Potter.* How do you maintain creative inspiration when working across such diverse projects?
The variety keeps it interesting.
8. You’ve been part of long-running strips like *Crankshaft* and *Garfield.* How do you keep these classic characters fresh while maintaining the humor and charm that audiences love?
I guess I just get into the groove and create. Sometimes we find new angles to give readers a change of pace.
9. Reflecting on your career, which project or character has been the most personally fulfilling to illustrate, and why?
Besides *All Luck Comics,* probably *Batman* animated-style work.
Dan Davis: Thanks!
