Dan Davis working on a comic strip. (Photo: Courtesy of Dan Davis)
In February 2025, we had the privilege of speaking with Dan Davis, the talented artist behind some of the most beloved comic strips and franchises.
With a career spanning decades, Dan has lent his artistic touch to legendary characters like Garfield, Crankshaft, Batman, The Simpsons, and many more.
His dedication to the craft, versatility, and passion for storytelling have solidified his place as one of the most respected artists in the industry.
Spotlight on Dan Davis
From Passion to Profession
Dan Davis’ journey into the world of comics began with a deep love for storytelling and illustration. Early in his career, he worked tirelessly to refine his craft,
eventually catching the attention of industry veterans. Over time, his talent led him to work on some of the most iconic properties in pop culture.
Garfield & Crankshaft
As the co-penciler of the Garfield comic strip, originally created by Jim Davis, Dan has played a crucial role in continuing the legacy of one of the most recognizable characters in the world.
Simultaneously, he also illustrates the Crankshaft comic strip, balancing the fast-paced humor of Garfield with the more grounded storytelling of Crankshaft.
Award Nominations & Work with Major Publishers
Dan has received two Eisner Award nominations for his work on Batman and The Simpsons, further cementing his reputation as an exceptional artist.
His resume includes collaborations with major publishers such as DC Comics, Bongo Comics, and BOOM! Studios, where he has illustrated characters like Batman, Harry Potter, and Samurai Jack.
Adapting to Different Artistic Styles
One of Dan’s greatest strengths is his ability to adapt to different artistic styles. Whether capturing the distinct humor of The Simpsons,
the dynamic action of Batman, or the expressive storytelling of Garfield, his versatility allows him to seamlessly transition between various projects.
The Future of Comics
Over the years, Dan has witnessed significant changes in the comic industry, from traditional hand-drawn art to the rise of digital tools.
Today, he continues to embrace new technologies while maintaining the essence of classic comic art.
He also hopes to devote more time to his personal projects, including All Luck Comics, his creator-owned series.
Interview with Dan Davis
Exclusive Q&A
1. You have been co-penciling the Garfield comic strip, originally created by Jim Davis. How did you become involved with this iconic series, and what has your experience been like working on such a well-known character?
Luckily for me, when Garfield hit, I learned Jim lived nearby and I visited him with my portfolio and kept in touch until a job opened up.
2. In addition to your work on Garfield, you are the current artist for the Crankshaft comic strip, originally created by Tom Batiuk. How do you balance working on two daily comic strips, and what are the unique challenges and rewards of each?
Switching back & forth keeps things interesting. Garfield is fast & funny. Cranky is more detailed & human experience.
3. Your career includes two Eisner Award nominations for your work on Batman and The Simpsons. How did these opportunities come about, and what did these recognitions mean to you?
Very honored and at the place at the right time.
4. You’ve illustrated for major publishers such as DC Comics, Bongo Comics, and BOOM!, working on characters like Batman, Harry Potter, and Samurai Jack. How do you approach adapting these diverse characters and worlds into your artistic style?
Actually, I usually am adapting to their styles. Some are very particular to their own ‘look’.
The Art of Dan Davis (Photo: Courtesy of Dan Davis)
5. Your portfolio includes work on The Simpsons and Futurama comics for Bongo Comics. How did you capture the unique humor and style of these animated series in comic form?
I would sometimes use screen shots of the animation to get all the details just right.
6. As the creator of All Luck Comics, what inspired you to develop your own comic series, and how does it differ from your work on established franchises?
Fun to do something in my own style & have total control.
7. Your official website mentions your experience as both a penciler and inker. Can you explain the differences between these roles and how each contributes to the final comic art?
Penciling is starting from the blank page to the finished pencil version. Inking is drawing over pencils with India ink on paper or black line on a computer for better reproduction and adds style & effects.
8. With a career spanning various publishers and genres, how have you seen the comic industry evolve over the years, and how have these changes impacted your work?
Biggest change for me is going to all digital artwork & working by sending art files around on computer instead of FedEx.
9. Collaborating with different writers and creative teams is a significant part of your work. How do you approach these collaborations to ensure a cohesive final product?
I stay in my lane and contribute my part of the job on time.
10. Maintaining consistency in daily comic strips like Garfield and Crankshaft requires discipline. Can you share your process for meeting the demands of daily deadlines while keeping the content fresh?
I set a schedule of what I need to get done & when and don’t think too far ahead and get overwhelmed.
11. Your work has reached audiences worldwide through syndication. How does knowing your art impacts a global audience influence your creative process?
It’s a good feeling and I get mail from all over.
12. Looking ahead, are there any new projects or genres you are eager to explore in your artistic career?
Hoping to get more of my own comics out but the two strips are keeping me busy for now.
