Nancy Kovack Interview: A Journey Through Hollywood’s Golden Era

Can you share how you initially became interested in acting and what led you to pursue a career in Hollywood during the 1960s?

I believe it can be said I was divinely led. After graduation from university, I left for New York for a student’s wedding. Another student suggested I got for a “cattle call” for the “Jackie Gleason” Show. Having no idea what that meant, out of 2000 girls, I was the only person chosen, “acing” all the girls who already “knew” him. From there, an agent kept recommending other auditions until from Broadway I was signed to Columbia Pictures.

Your role in “Jason and the Argonauts” remains iconic. How did you prepare for this character, and what challenges did you face while working in the realm of early special effects cinema?

I think the film remains iconic, not the role of Medea. Really, I can’t see where Medea has a particular character. To me, It’s a person “pasted” on the screen.

“Batman” and “Bewitched” were two very popular series you guest-starred in. Could you describe your experiences on these sets and any memorable interactions with the main cast members?

On guest television, one pops in and out. Actors do not interact with each other. Not time. Professionalism keeps you on your mark, no verbal mistakes, and you’re out. Sorry to eradicate comradery.

During the height of your career, you transitioned from film to television. What motivated this shift and how did the dynamics of working in television differ from those in film?

The head of the studio propositioned me sexually on a Friday night. I stated I was not interested in that idea. On Monday I was notified I was no longer under contract. With car payments and leight bills I accepted whatever the William Morris (Endeavor (formerly William Morris Endeavor)) office offered.

You’ve taken on a wide variety of roles throughout your career. Which role was the most challenging for you, and why?

Unfortunately, I didn’t feel any were challenging. It is a sad part of my life that I was never offered, really, anything of substance.

Reflecting on the evolution of female roles in the entertainment industry, how do you feel about the changes from the 1960s to now regarding opportunities for women?

Sometimes, now, I think the world is only made up of women! How’s that for a change?

After retiring from acting, you made significant shifts in your personal and professional life. Can you discuss what inspired your move away from Hollywood?

Upon marriage, my husband didn’t wish me to work. In addition, always being out of the country, only caused problems with agents who wished me to “see” producers.

Looking back on your extensive career and experiences in both film and television, what advice would you offer to aspiring actors today, particularly women, who wish to pursue a career in acting?

Get a good acting school in New York. Get an agent, preferably a good agent. Be grateful for every role and everything as all good has to go…