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In June 2024, I had the privilege of conducting an interview with the talented actress Nancy Youngblut via mail correspondence. Known for her diverse roles across film, television, and stage, Nancy shared insights into her extensive career and the experiences that have shaped her journey in the entertainment industry. For those interested in learning more about fan mail and through-the-mail autograph collecting, be sure to visit our FAQ page.
About Nancy Youngblut
Nancy Youngblut is a versatile American actress known for her impressive body of work in film, television, and theatre. Born on February 14, 1953, in Waterloo, Iowa, Nancy’s early interest in the performing arts led her to pursue a formal education in theatre. She graduated from The College of St. Catherine in St. Paul, Minnesota, and earned an MFA in Directing for the Theatre from the University of Georgia.
Nancy’s career is marked by her diverse roles on stage and screen. She has appeared on Broadway as Agnes in “Burn This” and has been featured in numerous popular television series, including “Bones,” “Cold Case,” “The Unit,” “E.R.,” “CSI: Crime Scene Investigation,” “Star Trek: Deep Space Nine,” “Diagnosis: Murder,” “Star Trek: Voyager,” “Dr. Quinn, Medicine Woman,” and “Murphy Brown.” Her performances have consistently showcased her range and depth as an actress.
In addition to her work as an actress, Nancy is also a respected director and teacher. Her extensive experience in regional theatre productions has honed her skills both in front of and behind the camera. Nancy’s dedication to her craft and her contributions to the performing arts community have made her a respected figure in the industry. She continues to inspire audiences with her powerful performances and commitment to excellence.
Nancy Youngblut Interview
1. Your roles in both “Star Trek: Deep Space Nine” and “Star Trek: Voyager” have made you a recognizable face in the sci-fi community. How did you first become involved with the “Star Trek” franchise, and what was your experience like working on these iconic shows?
I was “submitted” for a role on Voyager first and met the director—he was lovely. On Deep Space Nine, I had to be at least 5’7” without the boots so I just made the cut!
2. Your portrayal of characters in the “Star Trek” universe involved significant prosthetics and special effects. What were the biggest challenges and rewards of working with such extensive makeup and effects?
The biggest challenge in playing in the costume of a Klingon was that once you were put in costume, you were in it all day long—I was breastfeeding my (now 26 year old daughter) so it was very tough!
3. “Star Trek” has a dedicated and passionate fanbase. How has being part of this franchise impacted your career, and what kind of interactions have you had with fans over the years?
I have only recently tried to answer Trek fans’ mail—honestly—I was pretty unrecognizable as Captain Kolana of the Ch’Tang and Taleen was fun because Kate Mulgrew is also from Iowa!
4. In addition to your work on “Star Trek,” you have had roles in a variety of other television series. How does working on a sci-fi show compare to other genres, and do you have a preference?
I consider myself a comedian, so I loved working on Murphy Brown and Home Improvement.
5. You have portrayed a wide range of characters throughout your career. How do you approach developing each new character, especially those in such distinct and diverse settings as “Star Trek”?
I try to absorb the environment and ask other actors questions, both of my aliens (Kolana and Taleen) were only one episode/day of work.
6. Can you share any memorable behind-the-scenes moments or anecdotes from your time on the sets of “Star Trek: Deep Space Nine” and “Star Trek: Voyager”?
Deep Space Nine was memorable as one of the other klingons’ wigs caught fire when a flash pot went off during engagement with an enemy ship! Scary!
7. Your career spans both television and film. What do you find most rewarding about working in each medium, and how do they differ in terms of your approach to acting?
I especially loved working on Murphy Brown and other pilots for sit-coms because we shot in front of live audiences. As I was originally (and always) a theater actor (I was on broadway briefly in Burn This) I love to hear the audience’s response!
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